Sunday, October 30, 2011

The Social Construction of Race, Part Deux



This is the bulk of readings for the 'discourses of race' section of the course as we wade through it this week and next. Please have these articles read in the order posted. Pay particular attention to Zook's article on the Fox Network as it invests that political economic perspective that is so well dramatized in Bamboozled as well as the Means-Coleman article on 'black sitcoms' which is a good example of textual analysis.

Kristal Brent Zook, "The Fox Network and the Revolution in Black Television"
Robin R. Means-Coleman, "Black Sitcom Portrayals"
Donald Bogle, "Workplace Dramas, Ensemble Casts 1990s Style"
Chyng Fen Sun, "Ling Woo in Historical Context: The New Face of Asian American Stereotypes on Television"

Participatory Culture and Collective Intelligence



from Convergence Culture


from The Future of Ideas

from The Hacker Ethic

Sunday, October 23, 2011

The Social Construction of Race I



This a short introductory article on race and the media. As we watch Spike Lee's Bamboozled and discuss the film, Ash Corea's "Racism and the American Way of Media" is a good summary of the issues raised in the film and those that you will be reading about in greater detail with the next group of articles. As a bonus, a classic article by Stuart Hall.

Ash Corea, "Racism and the American Way of Media" from Questioning the Media
Stuart Hall, "What is This 'Black' in Black Popular Culture" from Stuart Hall: Critical Dialogues in Cultural Studies




Clip from a 1949 film, Hollywood Varieties, where actors Glenn Vernon and Edward Ryan apply blackface make-up while on stage and reminisce about 'the good ol' days' --as they say-- of ministrelsy.

Tuesday, October 18, 2011

Tuesday, October 11, 2011

Manovich, What Is New Media


This is the complete chapter from Lev Manovich's The Language of New Media. Reflect on the qualities that he identifies as pertaining to 'new media' as we integrate our encounters with the technologies and changed social contexts of digital converged media.

Manovich, What Is New Media?

Emancipatory Uses of The Media


Here are the new readings: Please find below Hans Magnus Enzensberger's "Constituents of a Theory of the Media" together with an article over viewing 'radical media' in Italy and the use of new communication technologies by political movements during the late '60s and '70s. This last article should accompany your viewing of Marco Tullio Giordana's I Cento Passi and provide you with context (both for the film itself and the historical period in which Enzensberger wrote the 'Constituents' article). The Hesmondalgh is an article attempting to define and focus the features of 'alternative' and 'radical' media.

Something to think about in relation to the film is how Peppino Impastato's attempts at carving out a space for communication and direct political action (a public sphere within the confines of a small community dominated by organized crime) is dramatized in the film --from traditional political rallies to 'free radio', after navigating dadaist street theater, pamphleteering, film screenings and be-ins. Think specifically of the characteristics of RadioAut --programming, control, voice, 'mission', etc. Does the 'network' finally deliver on those expectations?

Enzensberger - Constituents of a Theory of the Media
Downing - Radical Media in Italy


Extra Readings on Old vs. New Media Conceptions:
Michael Crichton - Mediasaurus (1993)
Jack Schaefer - Reflections on Mediasaurus

Ethics, Society and Moral Reasoning: Content and Ratings

Day, Ethics and Society (Chp. 2 of Ethics in Media Communication; Wadworth, 2006)
Day, Ethics and Moral Reasoning (Chp. 3 of Ethics in Media Communication; Wadworth, 2006)
Johnson, Ethical Perspectives (Chp. 1 of Organizational Ethics: A Practical Approach; Sage, 2011)

Please watch the following, famous episode of Ellen's coming out aired on ABC in 1997. Consider questions of content and 'ratings'. Be ready to discuss the ethical implications of airing the episode on mainstream broadcast television. Be prepared to discuss your reasoning and perspective.





Visual Pleasure and Narrative Cinema: Psychoanalytic Feminist Film Theory

"Woman as image, man as bearer of the look"
Otto Preminger's Laura (1944)

Laura Mulvey, "Visual Pleasure and Narrative Cinema"

You can also find it in html format here.

This is the article that failed to post relating to the readings assigned for Week 4:
Jean Kilbourne, “The More You Subtract, the More You Add: Cutting Girls Down to Size