(Final) Pop Music Readings

Assuming that at this point you should be (basically) all done with the Garofalo textbook, here are the reading assignments up to the end of the session:

On 'co-optation':
Thomas Frank's "Commodify Your Dissent" here.


On Jamaican Music:
from Dick Hebdige, Cut'n'Mix here.



On Gender:
Simon Frith and Angela McRobbie, "Rock and Sexuality"
Simon Frith, "Afterthoughts"
"Richard Dyer, "In Defense of Disco"
Find these articles here as a single PDF file.



On 'sub-cultures':
Here are the Dick Hebdige chapters from Subculture: The Meaning of Style. Refer back to the Punk: Attitude film screening.

The Ramones, "Do You Remember Rock'n'Roll Radio?" Live in Rome, 1980



On sampling, mash-ups and the 'postmodern turn':
Andrew Goodwin, "Sample and Hold"
E Ann Kaplan, "A Postmodern Play of the Signifier?"
Negativland, "from Wired: Negativland Interviews U2's The Edge"

Also, to clarify (or further obscure) 'postmodernism' please help yourself --in case you have not encountered it in your other studies-- to Fredric Jameson's "Postmodernism and Consumer Society"

Subcultures and More Audience Activity

Dick Hebdige from Subculture: The Meaning of Style

Chapter 6 : Subculture: The Unnatural Break
Chapter 7 : Style as Intentional Communication
Chapter 8 : Style as Homology

Alexander Doty - There's Something Queer Here
Richard Dyer - In Defense of Disco

Media Specificity and Representation

Mufasa and Scar Face Swap

Keith Negus, "Popular Music: Between Celebration and Despair" 
Van Zoonen, "Gender, Representation and the Media"
Corea, "Racism and the American Way of Media"

Desjardins, "Cinema and Communication"
Thomas, "Myths in and About TV"
*Articles are from Downing et al (eds), Questioning The Media: A Critical Introduction (Sage, 1996)

Signs, Meaning and Power

Articles related to our discussion on signs, meaning and culture and their intersections with the construction of identity, desire and power. The final paper assignment is linked to at the bottom of the post. Enjoy.

Kellner, "Advertising and Consumer Culture"

Sut Jhally, "Image Based Culture"

Mieke Bal, Semiotics for Beginners
Scott McCloud, from Understading Comics: Chapter 2, Semiotics
Jonathan Bignell, Media Semiotics: Introduction + The Cinema

°°°Final Paper Assignment°°°

The Pathology of Fandom

Joli Jenson - Fandom as Pathology
John Fiske - The Cultural Economy of Fandom

Jeffrey A. Brown - Ethnography: Wearing One's Fandom

The Audience Strikes Back

Williams - The Audience Strikes Back: New Audience and Reception Theory

Hall - Encoding/Decoding
Morley - The Nationwide Audience

Fiske - Undertanding Popular Culture
De Certeau - The Practice of Everyday Life

For Those About To Rock: Return of the Aura

Frank Zappa & Captain Beefheart

"I mean, man, whither goest thou? Whither goest thou, America, in thy shiny car in the night?"

-Jack Kerouac

-Keightley, "Reconsidering Rock"

Here are a couple of articles to integrate Keightley's Reconsidering Rock article. The first Frith article is required; the second article is a highly recommended read. Enjoy the Lester Bangs reviews from Creem. Reebee Garofalo's article on Soul ("Popular Music and the Civil Rights Movement") is required.

Simon Frith - "Rock and Popular Culture"
Simon Frith - "The Magic The Can Set You Free": The Ideology of Folk and the Myth of the Rock Community
Paul Clarke - "'A Magic Science': Rock Music as a Recording Art"
Lester Bangs - Various Record Reviews from Psychotic Reactions and Carburetor Dung
Reebee Garofalo - Popular Music and the Civil Rights Movement

Also, here is Andrew Chester's "For A Rock Aesthetic", Richard Merton's response, "Comments" and Chester's response to the response, "Second Thoughts on a Rock Aesthetic: The Band". It's all here at this link --the whole epochal exchange in one handy location.

Please read in 'Rocking Out' up to and including Chapter 8.

AC/DC, Let There Be Rock (1977) 

Reverend Bon tells you all about it. As you can see the 'aura' is back around Angus' head.