Active or Interactive? Copyrights and Copyfights II

Evil Bert & Che

Evil Bert is referenced in the Jenkins article below. Find the original Bert Is Evil website here at WayBackMachine. The story of the Bert Is Evil website is told here at Wikipedia. A contemporary site for all kinds of Evil Bert stuff is here.

Matt Mason - We Invented The Remix

Henry Jenkins - Photoshop for Democracy

You can find James Boyle's The Public Domain: Enclosing the Commons of the Mind --which is licensed under a Creative Commons Attribution-Noncommercial-Share Alike License-- available for download from Yale University Press here.

"Musical styles change over time and so do their techniques of appropriation. Sometimes musical generations find their successors are engaging in different types of borrowing than they themselves engaged in. They do not always find it congenial. It is striking how often musicians condemn a younger generation’s practice of musical appropriation as theft, while viewing their own musical development and indebtedness as benign and organic. … [Sampling] is a different kind of borrowing than the adaptation of a chord pattern from a gospel standard to make an R&B hit. But which way does the difference cut as a matter of ethics, aesthetics, or law?"

This is good material for those of you interested in copyright and appropriation especially if you are thinking of working on these issues for your final papers. Chapter 6 ("I Got A Mashup") is especially pertinent. Chapter 6 is here, from the 'annotatable' version on the website of Boyle's book.

Himanen, "From Netiquette to a Nethic"
(includes Linus Torvalds' Preface to The Hacker Ethic, "What Makes Hackers Tick?")
Wark, "The Hacker Manifesto"

Also, Dancehall/Reggae History Bonus (Recommended Reading):
Dick Hebdige - from Cut'N'Mix: Culture, Identity and Caribbean Music

Finally, for those of you who still don't have it you can download Girl Talk's breakthrough Feed The Animals from the Illegal Art website as a free download. Enjoy the 'official' 372 overlapping samples. You can find detailed info on all of them here.

Bob Christgau, the "Dean of American Rock Critics", provides an inter-generational appreciation of Girl Talk on NPR here.

Queering Texts: Popular Culture and The Oppositional Gaze

Susan Sontag, "On Camp"

Richard Dyer, "In Defense of Disco"
Richard Dyer, "Judy Garland and Gay Men"

bell hooks, "The Oppositional Gaze"

Alexander Doty, "There's Something Queer Here"
Bruce LaBruce, "Pee Wee Herman: The Homosexual Subtext"

Joli Jenson, "Fandom as Pathology

"I Know You Are, But What Am I?"

The Problem of Speaking for Others

Bill Nichols, Why Are Ethical Issues Central to Documentary Filmmaking?

Bill Nichols, The Domain of Documentary

Bill Nichols, What Types of Documentary Are There?

Bill Nichols, Documentary Modes of Representation

Linda Alcoff, The Problem of Speaking for Others

Please watch the interview with Jean-Luc Godard below. It is a good introduction to his way of thinking in the early sixties and in the procedures of the work he did with Jean-Pierre Gorin and the Dziga Vertov Group. He speaks ofTout Va Bien, a 'fiction' film he made with Jane Fonda and Yves Montand, as a more politically effective reflection on political struggle compared to a straight documentary film like Coup Pour Coup by Marin Karmitz or Barbara Kopple's Harlan County, USA which we will be watching a clip in class. Tout Va Bien is the film at the origin of the short Letter To Jane which we will also be screening and discussing in class.

Active or Interactive? Copyrights and Copyfights I

Aoki, Boyle and Jenkins, Bound By Law?
This is the comic book on copyright. Don't be fooled by its form: this is required reading.
You can also find it free on-line from its publisher --crazy, huh?-- Duke University and The Center for the Study of the Public Domain in a variety of formats. You can also 'remix' it and you're encouraged to translate it. It's all here.

From Technology Review (free registration might be required) read the debate around the question:

Who Should Own Ideas?

Lessig, "The People Own Ideas!"
Epstein, "The Creators Own Ideas!"
And the winner is...

While you're at it, look at your 'friends' on Facebook and ask yourselves: Who Owns Your Friends...

Larry Lessig, The 'Commons and Layers' Chapters from The Future of Ideas

Here's the complete version of the Lessig talk we will be watching excerpts from in class.
You can download it here.
This was Lessig's 'last' talk on Free Culture and it has that sort of summing up about it.
You can find his original presentation in a number of different formats (powerpoint, mp3, flash presentation, transcript, pdf, etc.) here.

Lawrence Lessig and The Future of Ideas by Bryan Alexander from Mindjack is an interesting summary article with lots of links.
Finally, here is the site for Creative Commons. Look them up.

GLBT Representation in Film and Television

Kylo-Patrick R. Hart, "Representing Gay Men on American Television"
Diane Raymond, "Popular Culture and Queer Representation: A Critical Perspective"

Susan J. Hubert, "What's Wrong With This Picture: The Politics of Ellen's Coming Out Party"
Fred Fejes, "Advertising and the Political Economy of Lesbian/Gay Identity"