R'n'R or Trasubstantiated R'n'B?

Elvis Presley - That's All Right, Mama + Blue Moon of Kentucky
Bill Haley & The Comets - Crazy Man Crazy
Fats Domino - Ain't That A Shame + Blueberry Hill
Little Richard - Tutti Frutti
Chuck Berry - Almost Grown + Little Queenie
Bo Diddley - Pretty Thing
The Chords - Sh-Boom
Frankie Lymon & The Teenagers - Why Do Fools Fall In Love

Whitey's Lindy Hoppers: Something Wild

This is the Lindy Hop, the Jitterbug, the Suzie-Q. The clip is an excerpt from H.C. Potter's Helzapoppin' (1941).
More Lindy Hoppers doing "The Big Apple" in 1939 at this link here. Enjoy.
(In this clip the dancing starts at the 2:15 mark.)



from Jonathan Demme's Something Wild; The Feelies play David Bowies's "Fame" and Jeff Daniels dances with his eye on the 'Other' for cues.

R'n'B is on the Indies

Big Joe Turner - Shake, Rattle and Roll
Big Mama Thornton - Hound Dog
Rufus Thomas - Bear Cat
Arthur 'Big Boy' Crudup - That's All Right
Jackie Brenston & His Delta Kings (aka Ike Turner) - Rocket 88
Junior Parker - Mystery Train
Little Walter - Dead Presidents

Post-War Hillbillies: Western Swing, Honky Tonk and Bluegrass

Bob Wills & The Texas Playboys - Take Me Back To Tulsa

Hank Williams - Hey Goodlookin' + Lovesick Blues

Bill Monroe & The Bluegrass Boys - Muleskinner Blues + Blue Moon Of Kentucky

The Sound Begins: Popular Music Readings II

in Garofalo:

-Chapter 2: Blues and Country Music: Mass Media and the Construction of Race
-Chapter 3: “Good Rockin’ Tonight”: The Rise of Rhythm and Blues

Charlie Gillet from The Sound of the City, "The Sound Begins"
Nelson George from The Death of Rhythm and Blues, "Dark Voices in the Night"

Pre-War Specialties

Doc Boggs - Sugar Baby

Jimmie Rodgers - Mule Skinner Blues

The Carter Family - Wildwood Flower

Jimmie Rodgers & The Carter Family - Blue Yodel

Skip James - Devil Got My Woman

Robert Johnson - Love in Vain

Blind Willie Johnson, "Dark Was The Night, Cold Was The Ground"
"The most transcendent piece in all American music" (Ry Cooder)

Art & Folk

Beethoven - Symphony N.9 d-moll Op. 125 (extract)

Text by Schiller here.

Beethoven - Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 "Moonlight"

Chopin - Nocturne b-moll Op. 9 No. 1

Schumann - Dichterliebe, Opus 48, "A Poet's Love"

Text by Heine here.

Schumann - Liderkreis, Op. 39, "Intermezzo"

Text by Eichendorff here.

Schubert - An Silvia (D891 1826)

Text by Shakespeare here.

The virtuoso instrumentalist and composer as superstar: Franz Liszt.

Good interview on WNYC's Soundcheck with Tim Blanning author of The Triumph of Music, a 'social history' of musicians in the west and how they went from being considered merely servants to being 'stars'. This is an excellent example of metacontextual musical knowledge. Required listening.

Download entire interview mp3 here. Stream interview.

from North Vietnam: A Brao Song

from the Mississippi Delta: Blind Willie Johnson - Dark Was The Night

from the Mississippi Delta: Alan Lomax Collection - Arwhoolie (Cornfield Holler)

from Ireland: The Dubliners - Home Boys Home

from Democratic Republic of Congo: Konono No. 1 - Ditshe Tshiekutala

from India: Ravi Shankar - Dhun

But this is not 'folk music' as we defined it, rather it is an example of the 'high' in a different cultural and social context.

Karima Gehnyei, aka Karima 2G Live and Direct at JCU

Lecture at JCU:
Karima Gehnyei  
Liberian-Italian rapper, singer, dancer and beatsmith
THURSDAY, JUNE 4 @6.30pm
John Cabot University - Aula Magna
Please bring photo ID

Karima’s fiery brand of social and political commentary delivered in Pidgin English is backed by beats that draw from a complex patchwork of musical elements, including electronica, reggae, hip-hop, bass, grime and afrobeat. This has led to the inevitable comparison between her and fellow artist/activist with a staunch anti-oppression stance, M.I.A.

Her debut album 2G, which stands for “Second Generation,” takes its name from the popular catchphrase used in the public discourse surrounding Italy’s exclusionary immigration policy, otherwise known as jus sanguinis. The album can best be described as a no-holds-barred indictment of Italian racism as well as a call for Africans on the continent and throughout the diaspora to remain connected to their roots. Following in the vein of her satirical take on Berlusconi’s sex party scandal, 2G‘s centerpiece track “Orangutan” is a synth-driven 8-bit tune which makes direct reference to Italian politician Roberto Calderoli‘s churlishly racist comparison of Italy’s first black minister Cécile Kyenge to an orangutan. Clocking in at just under 25 minutes, the ten-track LP also peppers vocal samples from Fela Kuti, The Last Poets and Quentin Tarantino‘s Django Unchained.

Find her two videos below, targeting Italian politics and politicians: "Bunga Bunga" is aimed at Silvio Berlusconi and "Orangutan" is for racist Northern League MP Roberto Calderoli and the impunity with which he referred to Italy's Minister Cécile Kyenge.
Bonus, her latest Chicago juke/footwork influenced mixtape on Soundcloud.

Music Becomes A Thing

Readings Week 1&2:

in Garofalo, Rockin' Out:
-Introduction + Chapter 1: Tin Pan Alley

in Cambridge Companion:
-Introduction + Chronology
-Theberge, "'Plugged In': Technology & Popular Music"
-Frith, "The Popular Music Industry"
-Frith, "Pop Music"

-Benjamin, "The Work of Art in the Age of Mechanical Reproduction"

from Frith & Goodwin (eds), On Record
-Adorno, "On Popular Music"
nb. You can find this essay together with "The Culture Industry: Enlightenment as Mass Deception" co-written with Max Horkheimer --an essay which if you have not read should definitely do so-- here.

from Even Eisenberg, The Recording Angel: Music Records and Culture from Aristotle to Zappa
-Eisenberg, Chapter 2: Music Becomes a Thing

Grimes, "Genesis" Live Session for KEXP

Welcome To Popular Music & Mass Culture Summer I 2015

Media, Culture and Society Essay Question

Here is, as promised, the question for the longer essay you will find on the final exam.
Enjoy.

Also, dig cheery, happy Teddy Adorno, as he speak about popular music and protest.

What are you looking at?: Social Networking, Personal Info, Data Collection and Surveillance

Christian Fuchs, "Facebook: A Surveillance Threat to Privacy?"
Christian Fuchs, "Wikileaks: Can We Make Power Transparent?"

Mark Andrejevic, "We are all lab rats online"
Joshua Benton/Nieman Labs, "Facebook wants to be the new World Wide Web"

Julian Assange, "Google Is Not What It Seems"
Henry Giroux, "Selfie Culture at the Intersection of the Corporate and Surveillance State"

If you want background resources relating to the screening of Laura Poitras' Citizenfour here are the related chapters from Glen Greenwald's No Place To Hide:

Chapter 3: Collect It All
Chapter 4: The Harm of Surveillance
Chapter 5: The Fourth Estate



Find below the segment from Last Week Tonight with John Oliver which includes an interview with Edward Snowden which is both funny and unsettling:

Post-Rock, Subcultures and the End of Authenticity

Assuming that at this point you should be on your way to completing the Garofalo textbook, here are the reading assignments for the next couple of weeks:

On Jamaican Music:
from Dick Hebdige, Cut'n'Mix here.

On 'co-optation':
Thomas Frank's "Commodify Your Dissent" here.


On Gender:
Simon Frith and Angela McRobbie, "Rock and Sexuality"
Simon Frith, "Afterthoughts"
"Richard Dyer, "In Defense of Disco"
Find these articles here as a single PDF file.



On 'sub-cultures':
Here are the Dick Hebdige chapters from Subculture: The Meaning of Style. Refer back to the Punk: Attitude film screening.

The Ramones, "Blitzkrieg Bop" Live in Rome, 1980



On sampling, mash-ups and the 'postmodern turn':
Andrew Goodwin, "Sample and Hold"
E Ann Kaplan, "A Postmodern Play of the Signifier?"
Negativland, "from Wired: Negativland Interviews U2's The Edge"

Also, to clarify (or further obscure) 'postmodernism' please help yourself --in case you have not encountered it in your other studies-- to Fredric Jameson's "Postmodernism and Consumer Society"

Photoshop For Democracy

Evil Bert & Che

Evil Bert is referenced in Jenkins. Find the original Bert Is Evil website here at WayBackMachine. The story of the Bert Is Evil website is told here at Wikipedia. A contemporary site for all kinds of Evil Bert stuff is here.

Matt Mason - We Invented The Remix

Henry Jenkins - Photoshop for Democracy

You can find James Boyle's The Public Domain: Enclosing the Commons of the Mind --which is licensed under a Creative Commons Attribution-Noncommercial-Share Alike License-- available for download from Yale University Press here.

"Musical styles change over time and so do their techniques of appropriation. Sometimes musical generations find their successors are engaging in different types of borrowing than they themselves engaged in. They do not always find it congenial. It is striking how often musicians condemn a younger generation’s practice of musical appropriation as theft, while viewing their own musical development and indebtedness as benign and organic. … [Sampling] is a different kind of borrowing than the adaptation of a chord pattern from a gospel standard to make an R&B hit. But which way does the difference cut as a matter of ethics, aesthetics, or law?"

This is good material for those of you interested in copyright and appropriation especially if you are thinking of working on these issues for your final papers. Chapter 6 ("I Got A Mashup") is especially pertinent. Chapter 6 is here, from the 'annotatable' version on the website of Boyle's book.




Aoki, Boyle and Jenkins, Bound By Law?
This is the comic book on copyright. Don't be fooled by its form: this is required reading.
You can also find it free on-line from its publisher --crazy, huh?-- Duke University and The Center for the Study of the Public Domain in a variety of formats. You can also 'remix' it and you're encouraged to translate it. It's all here.

From Technology Review (free registration might be required) read the debate around the question:

Who Should Own Ideas?

Lessig, "The People Own Ideas!"
Epstein, "The Creators Own Ideas!"
And the winner is...

While you're at it, look at your 'friends' on Facebook and ask yourselves: Who Owns Your Friends...

Here's the complete version of the Larry Lessig talk I mentioned in class.

You can download it here.This was Lessig's 'last' talk on Free Culture and it has that sort of summing up about it.
You can find his original presentation in a number of different formats (powerpoint, mp3, flash presentation, transcript, pdf, etc.) here.

At the time of the SOPA/PIPA debacle I posted this entry with many links to the discussions fermenting around the issues. Right around the same time the Megaupload takedown happened. Find the post here will all the relative links. The Clay Shirky TED talk which gives the post its title should give you plenty of food for thought.


Lawrence Lessig and The Future of Ideas by Bryan Alexander from Mindjack is an interesting summary article with lots of links.
Finally, here is the site for Creative Commons. Look them up.

Finally, for those of you who still don't have it you can download Girl Talk's breakthrough Feed The Animals from the Illegal Art website as a free download. Enjoy the 'official' 372 overlapping samples. You can find detailed info on all of them here. You don't have to look very heard to find his more recent CDs.

Bob Christgau, the "Dean of American Rock Critics", provides an inter-generational appreciation of Girl Talk on NPR here.

Medium Specificity and Representation

 Lily Allen, "Hard Out Here"

Keith Negus, "Popular Music: Between Celebration and Despair"
Van Zoonen, "Gender, Representation and the Media"
Corea, "Racism and the American Way of Media"

Desjardins, "Cinema and Communication"
Thomas, "Myths in and About TV"
*Articles are from Downing et al (eds), Questioning The Media: A Critical Introduction (Sage, 1996)