Text and Context: Political Economy and Reception

David Croteau & William Hoynes, "The New Media Giants: Changing Industry Structure"
Janice Radway, "Women Read The Romance: The Interaction of Text and Context"

Jan Nederveen Pitersem, "White Negroes"
Sut Jhally, "Image-Based Culture: Advertising and Popular Culture"

EXTRA READING:
Stuart Hall, "Encoding-Decoding"

Opening of the 2011 Emmy Awards: "To men, you're womanish, to women, you're mannish."

From Superheroes to the 'Seduction of the Innocent'

from Comics Book Nation: The Transformation of Youth Culture in America
Wright, "Confronting Success: Comic Books and Postwar America, 1945-1950"
Wright, "Youth Crisis: Comic Books and Controversy, 1947-1950"

Wertham, "Seduction of the Innocent"
+ Self-Regulating Codes of the Comics Book Industry

from Of Comics and Men: A Cultural History of American Comics
Gabilliet, "Calls For Censorship"
+
Gabilliet, "Production"
Gabilliet, "The Business of Comic Books"

Bonus Read:
Jules Feiffer, The Great Comic Book Heroes (1965)
Part1 + Part2

Sunday Newspaper Supplements: Auteurs.

Winsor McCay, Little Sammy Sneeze

As promised here are some of the pages we saw in class. Enjoy.

Richard Outcault, The Yellow Kid

Winsor McCay, Little Nemo In Slumberland

George Herriman, Krazy Kat & Ignatz

Frank King, Gasoline Alley

Textuality: Semiotics

To complement the other readings, here are three different discussions of 'semiotics' and semiotic analysis and their use for cultural studies and the analysis of media representations. These are not required readings if you have encountered 'media semiotics' before. I would however suggest, to those of you who are encountering 'semiotics' for the first time, to treat these readings as required readings: your work in class, your ability to grapple with the other required readings and your final project would certainly benefit from a familiarity with the concepts presented here.

Mieke Bal, Semiotics for Beginners
Scott McCloud, from Understading Comics: Chapter 2, Semiotics
Jonathan Bignell, Media Semiotics: Introduction + The Cinema

Ritual vs. Transmission?

from Kenneth Anger's 'Scorpio Rising'

Plato, The Allegory of the Cave

James Carey, "A Cultural Approach to Communication" from Communication as Culture: Essays on Media and Society (Boston: Unwin Hyman, 1989)

**Reading Media Theory Table of Contents for Presentations**

Construction and Performance I: Privilege and Representation

Power, Privilege and Discrimination

Peggy McIntosh, "White Privilege: Unpacking the Invisible Knapsack"

Cultural Studies & Representation
Douglas Kellner, "Cultural Studies, Multiculturalism and Media Culture"
Sanjukta Gosh, "'Con-Fusing' Exotica: Producing India in US Advertising"

Ideology and Hegemony
Stuart Hall, "The Whites of Their Eyes: Racist Ideologies and the Media"
James Lull, "Hegemony"

all readings (except the online Peggy McIntosh) are from Dines and Humez (eds), Gender, Race and Class in Media: A Text-Reader; 2nd Edition(Sage, 2003)

Comics? Comics!

Here are a couple of examples of comics that we can use to continue our discussion of what comics are and what they are not. It is also a good excuse to test out your comic book readers (.cbr and .cbz). Let me know if you encounter any problems reading these files.

Ernie Bushmiller, Nancy, selected Sunday Comics, 1941 (Click through to Save)

Winsor McCay, Little Nemo in Slumberland, 1905-1914 (Click through to Save)

Robert Sergel, "Up Up Down Down" from Eschew 2011

Bonus reading: from Douglas Wolk, Reading Comics Chapter 1: "What Comics Are and What They Aren't"

*Bonus Bonus: Andrei Molotiu's essential "List of Terms for Comics Studies"
nb. At the bottom of the linked post you'll find a link to the illustrations. In any case, here.

from Sigmund Freud's notebooks: Comics as dream work

Welcome To Fall 2015

Post-Rock, Subcultures and the End of Authenticity + Second Paper Prompt

Here is the prompt for your second short paper. Paper is due on Friday. Enjoy.

Assuming that at this point you should be on your way to completing the Garofalo textbook, here are the final reading for the session --readings in bold are required; readings in italics are highly recommended.

On Jamaican Music:
from Dick Hebdige, Cut'n'Mix here.

On 'co-optation':
Thomas Frank's "Commodify Your Dissent" here.

On Gender:
Simon Frith and Angela McRobbie, "Rock and Sexuality"
Simon Frith, "Afterthoughts"
Richard Dyer, "In Defense of Disco"
Find these articles here as a single PDF file --nb. skip the initial Sara Cohen article.



On 'sub-cultures':
Here are the Dick Hebdige chapters from Subculture: The Meaning of Style. Refer back to the Punk: Attitude film screening.

The Ramones, "Blitzkrieg Bop" Live in Rome, 1980



On sampling, mash-ups and the 'postmodern turn':
Andrew Goodwin, "Sample and Hold"
E Ann Kaplan, "A Postmodern Play of the Signifier?"
Negativland, "from Wired: Negativland Interviews U2's The Edge"

Also, to clarify (or further obscure) 'postmodernism' please help yourself --in case you have not encountered it in your other studies-- to Fredric Jameson's "Postmodernism and Consumer Society"

For Those About To Rock: Return of the Aura

Frank Zappa & Captain Beefheart

"I mean, man, whither goest thou? Whither goest thou, America, in thy shiny car in the night?"

-Jack Kerouac

-Keightley, "Reconsidering Rock"

Here are a couple of articles to integrate Keightley's Reconsidering Rock article. The first Frith article is required; the second article is a highly recommended read. Enjoy the Lester Bangs reviews from Creem. Reebee Garofalo's article on Soul ("Popular Music and the Civil Rights Movement") is required.

Simon Frith - "Rock and Popular Culture"
Simon Frith - "The Magic The Can Set You Free": The Ideology of Folk and the Myth of the Rock Community
Paul Clarke - "'A Magic Science': Rock Music as a Recording Art"
Lester Bangs - Various Record Reviews from Psychotic Reactions and Carburetor Dung
Reebee Garofalo - Popular Music and the Civil Rights Movement

Also, here is Andrew Chester's "For A Rock Aesthetic", Richard Merton's response, "Comments" and Chester's response to the response, "Second Thoughts on a Rock Aesthetic: The Band". It's all here at this link --the whole epochal exchange in one handy location.

Please read in 'Rocking Out' up to and including Chapter 8.

AC/DC, Let There Be Rock (1977) 

Reverend Bon tells you all about it. As you can see the 'aura' is back around Angus' head.

The In-Between Years (or The Empire Strikes Back)

The Folk Revival:

The Kingston Trio - Tom Dooley
Pete Seeger - Turn Turn Turn!
Joan Baez - Silver Dagger
Bob Dylan - Masters of War
Lyrics here.

Surf & Hot Rod Combos:

The Beach Boys - Surfin USA
Dick Dale & The Del-Tones - Miserlou
Link Wray & His Ray Men - Rumble (Outtake)
The Stingers (Jack Cole) - Mustang

Uptown R&B from Motown/All songs by Holland-Dozier-Holland:

Martha & The Vandellas - Nowhere To Run
The Four Tops - Reach Out I'll Be There
The Supremes - You Can't Hurry Love
Marvin Gaye - How Sweet It Is

Girl Groups/Phil Spector Wall of Sound/Songs by Weill & Mann:

The Ronettes - Be My Baby
The Crystals - Then He Kissed Me
The Crystals - Da Doo Ron Ron

Cynthia Weill & Barry Mann songs NOT produced by Phil Spector:

Lesley Gore - It's My Party

The Wall of Sound in full-effect:

Ike & Tina Turner - River Deep, Mountain High

The Righteous Brothers - You've Lost That Lovin' Feeling

Readings:
Keightley, "Reconsidering Rock"

nb. You will not be responsible for this reading for the midterm. We will discuss the issues and concepts raised in it after the exam. I do however urge you to read it as it offers a lot of points that would help your review of material that will actually be covered on the midterm.

In Garofalo you should read up to and including Chapter 6.

R'n'R or Trasubstantiated R'n'B?

Elvis Presley - That's All Right, Mama + Blue Moon of Kentucky
Bill Haley & The Comets - Crazy Man Crazy
Fats Domino - Ain't That A Shame + Blueberry Hill
Little Richard - Tutti Frutti
Chuck Berry - Almost Grown + Little Queenie
Bo Diddley - Pretty Thing
The Chords - Sh-Boom
Frankie Lymon & The Teenagers - Why Do Fools Fall In Love

Whitey's Lindy Hoppers: Something Wild

This is the Lindy Hop, the Jitterbug, the Suzie-Q. The clip is an excerpt from H.C. Potter's Helzapoppin' (1941).
More Lindy Hoppers doing "The Big Apple" in 1939 at this link here. Enjoy.
(In this clip the dancing starts at the 2:15 mark.)



from Jonathan Demme's Something Wild; The Feelies play David Bowies's "Fame" and Jeff Daniels dances with his eye on the 'Other' for cues.

R'n'B is on the Indies

Big Joe Turner - Shake, Rattle and Roll
Big Mama Thornton - Hound Dog
Rufus Thomas - Bear Cat
Arthur 'Big Boy' Crudup - That's All Right
Jackie Brenston & His Delta Kings (aka Ike Turner) - Rocket 88
Junior Parker - Mystery Train
Little Walter - Dead Presidents

Post-War Hillbillies: Western Swing, Honky Tonk and Bluegrass

Bob Wills & The Texas Playboys - Take Me Back To Tulsa

Hank Williams - Hey Goodlookin' + Lovesick Blues

Bill Monroe & The Bluegrass Boys - Muleskinner Blues + Blue Moon Of Kentucky