Art Cinema and Modernism in Film

Persona (Ingmar Bergman, Sweden, 1966)

On the 'art cinema' and modernism in film:
Bordwell, "The Art Cinema as a Mode of Film Practice"
from Poetics of Cinema

The Social Construction of Race I

This is a short, introductory article on race and the media. As we watch Spike Lee's Bamboozled and discuss the film, Ash Corea's "Racism and the American Way of Media" is a good summary of the issues raised in the film and those that you will be reading about in greater detail with the next group of articles. As a bonus, a classic article by Stuart Hall.

Ash Corea, "Racism and the American Way of Media" from Questioning the Media
Stuart Hall, "What is This 'Black' in Black Popular Culture" from Stuart Hall: Critical Dialogues in Cultural Studies





Clip from the 1949 film Hollywood Varieties where actors Glenn Vernon and Edward Ryan apply blackface make-up while on stage and reminisce about 'the good ol' days' --as they say-- of ministrelsy.

Race and Gender Midterm Study Guide

After the usual wise and profound words of Father Guido which are so perfectly comforting during exam crunch times here is the much agonized for study guide:

Race and Gender

Cinematic Specificity: Language or Reality

On Montage:
Vsevolod Pudovkin, "On Editing" from Film Technique
Sergei Eisenstein, "Methods of Montage" from Film Form

On Realism:
André Bazin, What is Cinema, Vol. 1
(nb. please only read the essays at pg. 9 and pg. 41: "The Ontology of the Photographic Image" + "The Virtues and Limitations of Montage (aka Montage Interdit).

Visual Pleasure and Narrative Cinema: Psychoanalysis, Feminism and Film

Stills from Otto Preminger's Laura, 1944

"Woman as image, man as bearer of the look."

Laura Mulvey, "Visual Pleasure and Narrative Cinema"

‘Men dream of women. Women dream of themselves being dreamt of. Men look at women. Women watch themselves being looked at. Men look at women, women watch themselves being looked at. -John Berger, Ways of Seeing

Jill Soloway, the creator of the TV series Transparent and the forthcoming I Love Dick (based on the Chris Kraus novel of the same title about having a crush on cultural critic and author Dick Hebdige which some of you might have read in previous classes; the pilot for the series, as is Amazon policy is available to preview, btw). This is a talk she gave on 'The Female Gaze' at the Toronto Film Festival.

"Beneath the cobblestones, the beach": Theory, Situationism and Cultural Resistance

Hans Magnus Enzensberger - Constituents of a Theory of the Media (1970)

Extra:
John Downing - Radical Media in Italy

How To Talk Like A Situationist

Guy Debord - Report on the Construction of Situations and on the International Situationist Tendency's Conditions of Organization and Action (1957)

If you are interested in reading more of the Situationist International's documents, manifestos and screeds (they are always fun, engaging and inspiring) you can find an excellent selection in the anthology edited by Tom McDonough and published by MIT Press titled Guy Debord and the Situationist International: Texts and Documents. Modern day situationists have made the book available here. Of course all of the Situationist documents are also available online at the Situationist Online Archive which is a true treasure trove of material. There are many other sources for Situationist materials freely available online, a direct result of the 'proto-free culture' approach the Situationist International always promoted.

Construction and Performance II: Masculinity

Eminem, Lose Yourself

Jackson Katz, "Advertising and the Construction of Violent White Masculinity: From Eminem to Clinique for Men"

Gail Dines, "King Kong and the White Woman: Hustler Magazine and the Demonization of Black Masculinity"

The Technology and the Society: A Critique of McLuhan

In order to be done with ol' Marshall (even though you're never done with him).
Raymond Williams, "The Technology and the Society" from Television: Technology and Cultural Form

Enough to Make Strong Men Weep: HK Cinema and John Woo by Bordwell

David Bordwell on the Hong Kong Action Cinema and John Woo.
You'll find three chapters from Bordwell's Planet Hong Kong here. Chapters 1&2 look at HK cinema from an industry and mode of production perspective and provides a comparative discussion of HK with the CHC. The third section (Chapter 4a) is a specific analysis of John Woo's filmic style.
from David Bordwell, Planet Hong Kong: Popular Cinema and The Art of Entertainment; 2nd Ed (Irvington Way Institute Press: Madison, WI, 2011) -- if you are interested and want to read more (and why wouldn't you) you can visit davidbordwell.net to purchase a pdf copy of the complete book. You'll also find other books by Bordwell at the same link.

Teddy and Walt in The New Yorker

The Naysayers: Walter Benjamin, Theodor Adorno and the Critique of Pop Culture
by Alex Ross

Even the New Yorker catches up:

"One way or another, the Frankfurt School mode of criticism—its skeptical ardor, its relentless scouring of mundane surfaces—has spread far. When online recappers expend thousands of words debating the depiction of rape on “Game of Thrones,” or when writers publish histories of sneakers or of the office cubicle, they show intense awareness of mass culture’s ability to shape society. And in some cases the analysis takes a recognizably dialectical turn, as in Hua Hsu’s 2011 essay, for Grantland, on Kanye West and Jay-Z’s album “Watch the Throne.” A dispassionate hip-hop fan, Hua Hsu ponders the spectacle of two leading rappers making an “album against austerity,” in which they mark their ascension to a world of “MoMA and Rothko, Larry Gagosian, and luxury hotels across three continents,” and at the same time forfeit a hip-hop tradition of fantasy and protest. Citing the Kanye track “Power”—“Grab a camera, shoot a viral / Take the power in your own hands”—Hsu writes, “This version of power is entrancing—it explains an entire generation. But it also confuses ubiquity for importance, the familiarity of a celebrity’s face for true authority.” There is no telling how Adorno and Benjamin might have negotiated such contemporary labyrinths. Perhaps, on a peaceful day, they would have accepted the compromise devised by Fredric Jameson, who has written that the “cultural evolution of late capitalism” can be understood “dialectically, as catastrophe and progress all together.”

These implacable voices should stay active in our minds. Their dialectic of doubt prods us to pursue connections between what troubles us and what distracts us, to see the riven world behind the seamless screen. “There is no document of civilization which is not at the same time a document of barbarism”: Benjamin’s great formula, as forceful as a Klieg light, should be fixed as steadily on pop culture, the ritual apparatus of American capitalism, as it has been on the art works of the European bourgeoisie. Adorno asked for only so much. Above all, these figures present a model for thinking differently, and not in the glib sense touted by Steve Jobs. As the homogenization of culture proceeds apace, as the technology of surveillance hovers at the borders of our brains, such spaces are becoming rarer and more confined. I am haunted by a sentence from Virginia Woolf’s “The Waves”: “One cannot live outside the machine for more perhaps than half an hour.”"

There's also this recently published article in The Guardian which is a review of a new book on the Frankfurt School, Stuart Jeffries' Grand Hotel Abyss: The Lives of the Frankfurt School (Verso). The title is quite telling.
"Why A Forgotten 1930s Critique of Capitalism is Back in Fashion" 

Hot and Cold Media Is the Message in the Global Village of the Guttenberg Galaxy

Eisenstein Diagram

Here are the 'notes' re: the taxonomy of Hot and Cold media. Below is the Australian Broadcasting Corporation's 'Conference' program from 1977 where McLuhan discusses and responds to audience questions on his main theoretical ideas. If we don't get to watch and discuss this in class please watch it on your own:

That James Dean vs That Daydream Nation Look: Taylor Swift covered by Ryan Adams and Gendered Media Spaces

Here's a nice press review of the discourses surrounding the Ryan Adams/Taylor Swift operation. I've also included a few articles from the past past, mainly Taylor Swift profiles from mainstream magazines like The New Yorker and New York Magazine. Make sure you all read the Tavi Gevinson article linked to at the bottom of the post in .pdf format. I've also included a recent article from The Atlantic about authorship in pop music and the strategies of record companies to downplay the 'outsourcing' of pop hit manufacturing. Enjoy.

Ryan Adams’s 1989 and the Vindication of Taylor Swift

Ryan Adams’s 1989 and the mansplaining of Taylor Swift

No Blank Space, Baby: Taylor Swift Is The Soul Of Ryan Adams

Ryan Adams isn’t revealing something ‘good’ about Taylor Swift’s ‘1989.’ The album was already great.

Platinum Underdog: Why Taylor Swift Is the Biggest Pop Star in the World

You Belong with Me

How Taylor Swift made teen angst into a business empire.

Taylor Swift Is Confusing

Haters Gonna Hate: Listening to Ryan Adams’s “1989”

The Reinvention of Taylor Swift

Flavorwire Interview: Talking Taylor Swift With Tavi Gevinson

JUST KIDDING, LOVE SUCKS

NOTES ON TAYLOR SWIFT

The complete version of this article by then 16-year old Tavi Gevinson published in The Believer in 2013 is below in PDF. Tavi Gevinson started the Style Rookie blog when she was 12. Rookie Mag below is a treasure of 'readings' of Tween/Teen culture from a non mainstream perspective --with all of its exhilaration and limitations.

Tavi Gevinson, JUST KIDDING

Rookie Mag 

Why must we hate the things teen girls love?

Hit Charade: Meet the bald Norwegians and other unknowns who actually create the songs that top the charts.

Beats 1 Ryan Adams interview about '1989' with Taylor Swift call in 'surprise'

Text and Context: Political Economy and Reception

David Croteau & William Hoynes, "The New Media Giants: Changing Industry Structure"
Janice Radway, "Women Read The Romance: The Interaction of Text and Context"

Sut Jhally, "Image-Based Culture: Advertising and Popular Culture"

EXTRA READINGS:
Stuart Hall, "Encoding-Decoding"

Textuality: Semiotics

To complement the other readings, here are three different discussions of 'semiotics' and semiotic analysis and their use for cultural studies and the analysis of media representations. These are not required readings if you have encountered 'media semiotics' before. I would however suggest, to those of you who are encountering 'semiotics' for the first time, to treat these readings as required readings: your work in class, your ability to grapple with the other required readings and your final project would certainly benefit from a familiarity with the concepts presented here.

Mieke Bal, Semiotics for Beginners
Scott McCloud, from Understading Comics: Chapter 2, Semiotics
Jonathan Bignell, Media Semiotics: Introduction + The Cinema

Cinema/210 Reading Schedule

Moonrise Kingdom, Wes Anderson (USA, 2012)

Here's the updated reading schedule for Intro to Film. This is based on the 11th Edition of Bordwell & Thompson's Film Art; International Version. If you have previous editions or the US version you can compare the chapters with the Table of Contents of the 10th Edition that you can find here -click on the 'Look Inside' banner. Make sure you do not use a textbook that predates the 8th Edition.