Saturday, November 26, 2016

Final Study Guides.





COM 470 Advanced Com/Media Theory -- here.
CMS 360 Race and Gender in Film and TV  -- here.
COM 210 Intro to Cinema --here.

Post-Classical and Post-Modern



To clarify (or further obscure) 'postmodernism':

Fredric Jameson's "Postmodernism and Consumer Society"
As you read it relate it to the screening of Olivier Assayas' Irma Vep and be prepared to discuss the film in terms of its postmodern qualities.


Wednesday, November 23, 2016

Thursday, November 17, 2016

Fatal Strategies & Slackers: Withdrawing or Accelerating?


Matthias Leupold, Im Kino / In the Cinema, Part II Berlin GDR, 1983
Additional Recommended Baudrillard Readings:

Jean Baudrillard, Requiem for the Media
Jean Baudrillard, The Implosion of Meaning in the Media from Simulacra and Simulation

Please read the section 'Disciplines and Sciences of the Individual' in Part II, particularly the first four segments (from "The Body of the Condemned" to "Panopticism")

Foucault, "The Repressive Hypothesis" from The History of Sexuality, Vol. I

Faster! Faster! Faster!


#Accelerate: Manifesto for an Accelerationist Politics (Srnicek & Williams)
Steven Shaviro, "What is Accelerationism?" from No Speed Limit: Three Essays on Accelerationism

Bonus:
Xenofeminism: A Politics for Alienation (Laboria Cuboniks)

+

What About 'Today'?

Christian Fuchs, "Participatory Web 2.0 as Ideology" from Foundations of Critical Media and Information Studies

McKenzie Wark, The Hacker Manifesto

"Every single commodity you produce is a piece of your own death"
"Withdrawing in disgust is not the same thing as apathy."



Wednesday, November 16, 2016

Thursday, November 10, 2016

The 'Post' Archipelago: A Brief Intro


Young Jacques Derrida's English Comp Essay
Note the teacher's comments. Do they still apply to Jacques' adult writing? Read 'Différance' below to find out.

Some introductory readings to the various 'posts' that we will be reading in the next weeks. Having just concluded our discussion of structuralism, here is some material to bring us towards the post-structuralist theoretical framework. Remember that a good exercise for us is to read the theories in their original form. As you read get a sense of the language, of the rhetorical processes, of the way the argument proceeds. I am including here, in addition to the Roland Barthes essay on "The Death of the Author" also a brief introduction to poststructuralism, postmodernism and postcolonial studies (the pdf has these entries in alphabetical order but please read them in the order above). I've also included Derrida's 'Différance' --this is a bonus reading but I would urge all of you to tackle it in order to get that sense of the language mentioned above so that we may talk about it in class. Enjoy.

"poststructuralism"; "postmodernism"; "postcolonial studies" entries
from A Dictionary of Cultural and Critical Theory; 2nd Ed. (Wiley-Blackwell)
Roland Barthes, "The Death of the Author" from Image/Music/Text

David Harvey, "Postmodernism" from The Condition of Postmodernity

Jacques Derrida, Différance

Wednesday, November 2, 2016

Women's Cinema, Women in Cinema: Visual Pleasure, Narrative and Feminism + Third Cinema






To accompany the screening of Agnes Varda's Vagabond:
Laura Mulvey, "Visual Pleasure and Narrative Cinema"
Make sure you have this read by next class. We will continue discussing Godard's Masculin/Féminin in relation to the ideological critique of the institutional mode of representation put forward by the various cinematic new-waves as well as Vagabond as a feminist text that takes off on that critique but adds sexual difference and the representation of gender to its concerns. Laura Mulvey's essay should be a key to navigating these concepts.


Take a picture of her.



Of all African film directors, Sembene is the first to confer value to images."
--Med Hondo

Fernando Solanas & Octavio Getino, Towards a Third Cinema
Med Hondo, What is Cinema for us?

If you are interested in reading a brief outline of the life, ideas and struggles of Ousmane Sembene: OUSMANE SEMBENE: THE LIFE OF A REVOLUTIONARY ARTIST


Sunday, October 30, 2016

Race and Gender Final Paper Assignment



Final Paper Prompt here. We will talk about this during the next class. Good times.

Tuesday, October 25, 2016

Structuralism 101



"Structuralist Theories" from Selden et al. A Reader's Guide to Contemporary Literary Theory, 3rd Edition (Prentice Hall, 1985)

Wednesday, October 19, 2016

The Social Construction of Race, Part Deux




This is the bulk of readings for the 'discourses of race' section of the course as we wade through it this week and next. Please have these articles read in the order posted. Pay particular attention to Zook's article on the Fox Network as it invests that political economic perspective that is so well dramatized in Bamboozled as well as the Means-Coleman article on 'black sitcoms' which is a good example of textual analysis.

Kristal Brent Zook, "The Fox Network and the Revolution in Black Television"
Robin R. Means-Coleman, "Black Sitcom Portrayals"
Herman Gray, "The Politics of Representation in Network Television" from Watching Race: Television and the Struggle for Blackness (University of Minnesota Press, 1995/2004)

Donald Bogle, "Workplace Dramas, Ensemble Casts 1990s Style"
Chyng Fen Sun, "Ling Woo in Historical Context: The New Face of Asian American Stereotypes on Television"

Please watch this 'incomplete sentence' vaudeville routine by Mantan Moreland & Ben Carter from the Charlie Chan movie The Scarlet Clue (Phil Rosen, 1945)

Below is Sarah Jones' 'Your Revolution' (with DJ Vadim) from Def Poetry Jam's Season 1 (2002)



Sunday, October 16, 2016

Art Cinema and Modernism in Film


Persona (Ingmar Bergman, Sweden, 1966)
On the 'art cinema' and modernism in film:
Bordwell, "The Art Cinema as a Mode of Film Practice"
from Poetics of Cinema

Wednesday, October 12, 2016

The Social Construction of Race I




This is a short, introductory article on race and the media. As we watch Spike Lee's Bamboozled and discuss the film, Ash Corea's "Racism and the American Way of Media" is a good summary of the issues raised in the film and those that you will be reading about in greater detail with the next group of articles. As a bonus, a classic article by Stuart Hall.

Ash Corea, "Racism and the American Way of Media" from Questioning the Media
Stuart Hall, "What is This 'Black' in Black Popular Culture" from Stuart Hall: Critical Dialogues in Cultural Studies





Clip from the 1949 film Hollywood Varieties where actors Glenn Vernon and Edward Ryan apply blackface make-up while on stage and reminisce about 'the good ol' days' --as they say-- of ministrelsy.

Wednesday, October 5, 2016

Race and Gender Midterm Study Guide





After the usual wise and profound words of Father Guido which are so perfectly comforting during exam crunch times here is the much agonized for study guide:

Race and Gender