Art & Folk

Beethoven - Symphony N.9 d-moll Op. 125 (extract)

Text by Schiller here.

Beethoven - Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 "Moonlight"

Chopin - Nocturne b-moll Op. 9 No. 1

Schumann - Dichterliebe, Opus 48, "A Poet's Love"

Text by Heine here.

Schumann - Liderkreis, Op. 39, "Intermezzo"

Text by Eichendorff here.

Schubert - An Silvia (D891 1826)

Text by Shakespeare here.

The virtuoso instrumentalist and composer as superstar: Franz Liszt.

Good interview on WNYC's Soundcheck with Tim Blanning author of The Triumph of Music, a 'social history' of musicians in the west and how they went from being considered merely servants to being 'stars'. This is an excellent example of metacontextual musical knowledge. Required listening.

Download entire interview mp3 here. Stream interview.

from North Vietnam: A Brao Song

from the Mississippi Delta: Blind Willie Johnson - Dark Was The Night

from the Mississippi Delta: Alan Lomax Collection - Arwhoolie (Cornfield Holler)

from Ireland: The Dubliners - Home Boys Home

from Democratic Republic of Congo: Konono No. 1 - Ditshe Tshiekutala

from India: Ravi Shankar - Dhun

But this is not 'folk music' as we defined it, rather it is an example of the 'high' in a different cultural and social context.

TV: The Idiot Box, the Electronic Babysitter, the Toaster with Pictures...

Raymond Williams, "The Technology and the Society"
originally in Williams, Television: Technology and Cultural Form

Michele Hilmes, "Cable, Satellite and Digital Technologies"
P. David Marshall, "Rejuvenation: Television"

Enjoy some tunes about TV below:

The TV and Media Industry Blogs

The Business; Hosted by Kim Masters, Saturdays on KCRW
The Spin-Off; Hosted by Joe Adalian & Mike Schneider on KCRW

Bonus Blog:
On The Media; Hosted by Brooke Gladstone & Bob Garfield, Fridays on WNYC

As we said in class, please subscribe to The Business and The Spin-Off and listen to new episodes regularly throughout the semester. In addition to the new episodes here are some recent episodes that can complement your readings and our discussions in class in these first weeks of the semester.


from The Business:
The Year in Film and Television: 2015 Edition (from Dec. 28, 2015)

from The Spin-Off:
Summer 2015's TCA's: Streaming Media Boom & Networks as Brands (from Aug. 13, 2015)
Fall TV Fails to Excite; New Faces in Late Night (from Oct. 1, 2015)
TV Development Trends and Behind-the-Scenes Drama (from Oct. 28, 2015)

The Evolution of Streaming and a Late Night Check-In (from Nov. 17, 2015)
The Year That Was Peak TV, Tackling Tough Social Issues (from Dec. 23, 2015)
Cord Cobblers and What TV Can Learn from 'Making a Murderer' (from Jan. 20, 2016)

As a bonus check out some of the bloggers mentioned in this Complex article:
The 25 Best TV Bloggers.

Finally, remember that the treasure trove about everything TV is Twitter. If you are on Twitter you might want to start following the various hosts of The Business and The Spin-Off and branch out from there (see who they follow, who they retweet, etc).

Ritual vs. Transmission?

from Kenneth Anger's 'Scorpio Rising'

Plato, The Allegory of the Cave

James Carey, "A Cultural Approach to Communication" from Communication as Culture: Essays on Media and Society (Boston: Unwin Hyman, 1989)

Cinema/210 Reading Schedule

Moonrise Kingdom, Wes Anderson (USA, 2012)

Here's the updated reading schedule for Intro to Film. This is based on the 11th Edition of Bordwell & Thompson's Film Art; International Version. If you have previous editions or the US version you can compare the chapters with the Table of Contents of the 10th Edition that you can find here -click on the 'Look Inside' banner. Make sure you do not use a textbook that predates the 8th Edition.

Popular Music: Music Becomes A Thing

Readings Week 1&2:

in Garofalo, Rockin' Out:
-Introduction + Chapter 1: Tin Pan Alley

in Cambridge Companion:
-Introduction + Chronology
-Theberge, "'Plugged In': Technology & Popular Music"
-Frith, "The Popular Music Industry"
-Frith, "Pop Music"

from Durham & Kellner (eds), Media & Cultural Studies: Keyworks
-Benjamin, "The Work of Art in the Age of Mechanical Reproduction"

from Frith & Goodwin (eds), On Record
-Adorno, "On Popular Music"
nb. You can find this essay together with "The Culture Industry: Enlightenment as Mass Deception" co-written with Max Horkheimer --an essay which if you have not read should definitely do so-- here.

from Even Eisenberg, The Recording Angel: Music Records and Culture from Aristotle to Zappa
-Eisenberg, Chapter 2: Music Becomes a Thing

Grimes, "Genesis" Live Session for KEXP

Welcome To Spring 2017

Final Study Guides.

COM 470 Advanced Com/Media Theory -- here.
CMS 360 Race and Gender in Film and TV  -- here.
COM 210 Intro to Cinema --here.

Post-Classical and Post-Modern

To clarify (or further obscure) 'postmodernism':

Fredric Jameson's "Postmodernism and Consumer Society"
As you read it relate it to the screening of Olivier Assayas' Irma Vep and be prepared to discuss the film in terms of its postmodern qualities.

Queering Texts: Popular Culture and The Oppositional Gaze

Alexander Doty, "There's Something Queer Here"

bell hooks, "The Oppositional Gaze"

Richard Dyer, "In Defense of Disco"

Richard Dyer, "Judy Garland and Gay Men"

Susan Sontag, "On Camp"

Bruce LaBruce, "Pee Wee Herman: The Homosexual Subtext"

"I'm A Rebel"

"I Know You Are But What Am I?"

Fatal Strategies & Slackers: Withdrawing or Accelerating?

Matthias Leupold, Im Kino / In the Cinema, Part II Berlin GDR, 1983

Baudrillard, "The Masses: The Implosion of the Social in the Media"

Additional Recommended Baudrillard Readings:

Jean Baudrillard, Requiem for the Media
Jean Baudrillard, The Implosion of Meaning in the Media from Simulacra and Simulation

The Foucault Reader, edited by Paul Rabinow.

Please read the section 'Disciplines and Sciences of the Individual' in Part II, particularly the first four segments (from "The Body of the Condemned" to "Panopticism")

Foucault, "The Repressive Hypothesis" from The History of Sexuality, Vol. I

Faster! Faster! Faster!


#Accelerate: Manifesto for an Accelerationist Politics (Srnicek & Williams)
Steven Shaviro, "What is Accelerationism?" from No Speed Limit: Three Essays on Accelerationism

Bonus:
Xenofeminism: A Politics for Alienation (Laboria Cuboniks)

+

What About 'Today'?

Christian Fuchs, "Participatory Web 2.0 as Ideology" from Foundations of Critical Media and Information Studies

McKenzie Wark, The Hacker Manifesto

"Every single commodity you produce is a piece of your own death"
"Withdrawing in disgust is not the same thing as apathy."

Enjoy Poverty!

"Enjoy Poverty: Disclosing the Political Impasse of Contemporary Art" in Art Papers

-an interview with Renzo Martens

Paul O'Kane, "Renzo Martens: Episode III" review in Third Text, 2009

T.J. Demos, "Poverty Pornography, Humanitarianism and Neo-Liberal Globalization: Notes on Some Paradoxes in Contemporary Art"

Bonus Interview from the "Africa is a Country Blog" here.

Bonus Reading:

Susan Sontag, "Looking At War/Regarding the Pain of Others"

LGBTQ+ Representation in Film and Television

Kylo-Patrick R. Hart, "Representing Gay Men on American Television"
Diane Raymond, "Popular Culture and Queer Representation: A Critical Perspective"

Susan J. Hubert, "What's Wrong With This Picture: The Politics of Ellen's Coming Out Party"
Fred Fejes, "Advertising and the Political Economy of Lesbian/Gay Identity"

Alexander Doty, "Modern Family, Glee, and the Limits of Television Liberalism" 

The 'Post' Archipelago: A Brief Intro

Young Jacques Derrida's English Comp Essay
Note the teacher's comments. Do they still apply to Jacques' adult writing? Read 'Différance' below to find out.

Some introductory readings to the various 'posts' that we will be reading in the next weeks. Having just concluded our discussion of structuralism, here is some material to bring us towards the post-structuralist theoretical framework. Remember that a good exercise for us is to read the theories in their original form. As you read get a sense of the language, of the rhetorical processes, of the way the argument proceeds. I am including here, in addition to the Roland Barthes essay on "The Death of the Author" also a brief introduction to poststructuralism, postmodernism and postcolonial studies (the pdf has these entries in alphabetical order but please read them in the order above). I've also included Derrida's 'Différance' --this is a bonus reading but I would urge all of you to tackle it in order to get that sense of the language mentioned above so that we may talk about it in class. Enjoy.

"poststructuralism"; "postmodernism"; "postcolonial studies" entries
from A Dictionary of Cultural and Critical Theory; 2nd Ed. (Wiley-Blackwell)
Roland Barthes, "The Death of the Author" from Image/Music/Text

David Harvey, "Postmodernism" from The Condition of Postmodernity

Jacques Derrida, Différance

Women's Cinema, Women in Cinema: Visual Pleasure, Narrative and Feminism + Third Cinema

To accompany the screening of Agnes Varda's Vagabond:
Laura Mulvey, "Visual Pleasure and Narrative Cinema"
Make sure you have this read by next class. We will continue discussing Godard's Masculin/Féminin in relation to the ideological critique of the institutional mode of representation put forward by the various cinematic new-waves as well as Vagabond as a feminist text that takes off on that critique but adds sexual difference and the representation of gender to its concerns. Laura Mulvey's essay should be a key to navigating these concepts.

Take a picture of her.

Of all African film directors, Sembene is the first to confer value to images."

--Med Hondo

Fernando Solanas & Octavio Getino, Towards a Third Cinema

Med Hondo, What is Cinema for us?

If you are interested in reading a brief outline of the life, ideas and struggles of Ousmane Sembene: OUSMANE SEMBENE: THE LIFE OF A REVOLUTIONARY ARTIST