Active or Interactive? Copyrights and Copyfights II

Evil Bert & Che

Evil Bert is referenced in the Jenkins article below. Find the original Bert Is Evil website here at WayBackMachine. The story of the Bert Is Evil website is told here at Wikipedia. A contemporary site for all kinds of Evil Bert stuff is here.

Matt Mason - We Invented The Remix

Henry Jenkins - Photoshop for Democracy

You can find James Boyle's The Public Domain: Enclosing the Commons of the Mind --which is licensed under a Creative Commons Attribution-Noncommercial-Share Alike License-- available for download from Yale University Press here.

"Musical styles change over time and so do their techniques of appropriation. Sometimes musical generations find their successors are engaging in different types of borrowing than they themselves engaged in. They do not always find it congenial. It is striking how often musicians condemn a younger generation’s practice of musical appropriation as theft, while viewing their own musical development and indebtedness as benign and organic. … [Sampling] is a different kind of borrowing than the adaptation of a chord pattern from a gospel standard to make an R&B hit. But which way does the difference cut as a matter of ethics, aesthetics, or law?"

This is good material for those of you interested in copyright and appropriation especially if you are thinking of working on these issues for your final papers. Chapter 6 ("I Got A Mashup") is especially pertinent. Chapter 6 is here, from the 'annotatable' version on the website of Boyle's book.

Himanen, "From Netiquette to a Nethic"
(includes Linus Torvalds' Preface to The Hacker Ethic, "What Makes Hackers Tick?")
Wark, "The Hacker Manifesto"

Also, Dancehall/Reggae History Bonus (Recommended Reading):
Dick Hebdige - from Cut'N'Mix: Culture, Identity and Caribbean Music

Finally, for those of you who still don't have it you can download Girl Talk's breakthrough Feed The Animals from the Illegal Art website as a free download. Enjoy the 'official' 372 overlapping samples. You can find detailed info on all of them here.

Bob Christgau, the "Dean of American Rock Critics", provides an inter-generational appreciation of Girl Talk on NPR here.

Queering Texts: Popular Culture and The Oppositional Gaze

Susan Sontag, "On Camp"

Richard Dyer, "In Defense of Disco"
Richard Dyer, "Judy Garland and Gay Men"

bell hooks, "The Oppositional Gaze"

Alexander Doty, "There's Something Queer Here"
Bruce LaBruce, "Pee Wee Herman: The Homosexual Subtext"

Joli Jenson, "Fandom as Pathology

"I Know You Are, But What Am I?"

The Problem of Speaking for Others

Bill Nichols, Why Are Ethical Issues Central to Documentary Filmmaking?

Bill Nichols, The Domain of Documentary

Bill Nichols, What Types of Documentary Are There?

Bill Nichols, Documentary Modes of Representation

Linda Alcoff, The Problem of Speaking for Others

Please watch the interview with Jean-Luc Godard below. It is a good introduction to his way of thinking in the early sixties and in the procedures of the work he did with Jean-Pierre Gorin and the Dziga Vertov Group. He speaks ofTout Va Bien, a 'fiction' film he made with Jane Fonda and Yves Montand, as a more politically effective reflection on political struggle compared to a straight documentary film like Coup Pour Coup by Marin Karmitz or Barbara Kopple's Harlan County, USA which we will be watching a clip in class. Tout Va Bien is the film at the origin of the short Letter To Jane which we will also be screening and discussing in class.

Active or Interactive? Copyrights and Copyfights I

Aoki, Boyle and Jenkins, Bound By Law?
This is the comic book on copyright. Don't be fooled by its form: this is required reading.
You can also find it free on-line from its publisher --crazy, huh?-- Duke University and The Center for the Study of the Public Domain in a variety of formats. You can also 'remix' it and you're encouraged to translate it. It's all here.

From Technology Review (free registration might be required) read the debate around the question:

Who Should Own Ideas?

Lessig, "The People Own Ideas!"
Epstein, "The Creators Own Ideas!"
And the winner is...

While you're at it, look at your 'friends' on Facebook and ask yourselves: Who Owns Your Friends...

Larry Lessig, The 'Commons and Layers' Chapters from The Future of Ideas

Here's the complete version of the Lessig talk we will be watching excerpts from in class.
You can download it here.
This was Lessig's 'last' talk on Free Culture and it has that sort of summing up about it.
You can find his original presentation in a number of different formats (powerpoint, mp3, flash presentation, transcript, pdf, etc.) here.

Lawrence Lessig and The Future of Ideas by Bryan Alexander from Mindjack is an interesting summary article with lots of links.
Finally, here is the site for Creative Commons. Look them up.

GLBT Representation in Film and Television

Kylo-Patrick R. Hart, "Representing Gay Men on American Television"
Diane Raymond, "Popular Culture and Queer Representation: A Critical Perspective"

Susan J. Hubert, "What's Wrong With This Picture: The Politics of Ellen's Coming Out Party"
Fred Fejes, "Advertising and the Political Economy of Lesbian/Gay Identity"

The Social Construction of Race, Part Deux

This is the bulk of readings for the 'discourses of race' section of the course as we wade through it this week and next. Please have these articles read in the order posted. Pay particular attention to Zook's article on the Fox Network as it invests that political economic perspective that is so well dramatized in Bamboozled as well as the Means-Coleman article on 'black sitcoms' which is a good example of textual analysis.

Kristal Brent Zook, "The Fox Network and the Revolution in Black Television"
Robin R. Means-Coleman, "Black Sitcom Portrayals"
Donald Bogle, "Workplace Dramas, Ensemble Casts 1990s Style"
Chyng Fen Sun, "Ling Woo in Historical Context: The New Face of Asian American Stereotypes on Television"

Participatory Culture and Collective Intelligence

Jenkins, "Worship at the Altar of Convergence"

Jenkins, "Spoiling Survivor"

from Convergence Culture

Marshall, "Forms of Interactivity: The Disappearance of the Audience"

Jenkins, "Interactive Audiences? The Collective Intelligence of Media Fans"

Lessig, "Building Blocks: Commons and Layers" + "Commons on the Wires"

from The Future of Ideas

Himanen, "From Netiquette to Nethic"

from The Hacker Ethic

The Social Construction of Race I

This a short introductory article on race and the media. As we watch Spike Lee's Bamboozled and discuss the film, Ash Corea's "Racism and the American Way of Media" is a good summary of the issues raised in the film and those that you will be reading about in greater detail with the next group of articles. As a bonus, a classic article by Stuart Hall.

Ash Corea, "Racism and the American Way of Media" from Questioning the Media
Stuart Hall, "What is This 'Black' in Black Popular Culture" from Stuart Hall: Critical Dialogues in Cultural Studies




Clip from a 1949 film, Hollywood Varieties, where actors Glenn Vernon and Edward Ryan apply blackface make-up while on stage and reminisce about 'the good ol' days' --as they say-- of ministrelsy.

Violence, Sexuality & 'Effects'

Gauntlett, "Ten Things Wrong With The 'Media Effects' Model"

Plaisance, "Violence" from The Handbook of Media Ethics

Wyatt & Bunton, "Perpectives on Pornography Demand Ethical Critique" from The Handbook of Media Ethics

Race&Gender + New Media/Digital Media Cultures 5 Minute University

After the wise and profound words of Father Guido here's the much agonized for Study Guides:

Race and Gender
New Media/Digital Media Cultures

Manovich, What Is New Media

This is the complete chapter from Lev Manovich's The Language of New Media. Reflect on the qualities that he identifies as pertaining to 'new media' as we integrate our encounters with the technologies and changed social contexts of digital converged media.

Manovich, What Is New Media?

Emancipatory Uses of The Media

Here are the new readings: Please find below Hans Magnus Enzensberger's "Constituents of a Theory of the Media" together with an article over viewing 'radical media' in Italy and the use of new communication technologies by political movements during the late '60s and '70s. This last article should accompany your viewing of Marco Tullio Giordana's I Cento Passi and provide you with context (both for the film itself and the historical period in which Enzensberger wrote the 'Constituents' article). The Hesmondalgh is an article attempting to define and focus the features of 'alternative' and 'radical' media.

Something to think about in relation to the film is how Peppino Impastato's attempts at carving out a space for communication and direct political action (a public sphere within the confines of a small community dominated by organized crime) is dramatized in the film --from traditional political rallies to 'free radio', after navigating dadaist street theater, pamphleteering, film screenings and be-ins. Think specifically of the characteristics of RadioAut --programming, control, voice, 'mission', etc. Does the 'network' finally deliver on those expectations?

Enzensberger - Constituents of a Theory of the Media
Downing - Radical Media in Italy

Hesmondalgh - Alternative Media, Alternative Texts?

Extra Readings on Old vs. New Media Conceptions:
Michael Crichton - Mediasaurus (1993)

Jack Schaefer - Reflections on Mediasaurus

Ethics, Society and Moral Reasoning: Content and Ratings

Day, Ethics and Society (Chp. 2 of Ethics in Media Communication; Wadworth, 2006)
Day, Ethics and Moral Reasoning (Chp. 3 of Ethics in Media Communication; Wadworth, 2006)
Johnson, Ethical Perspectives (Chp. 1 of Organizational Ethics: A Practical Approach; Sage, 2011)

Please watch the following, famous episode of Ellen's coming out aired on ABC in 1997. Consider questions of content and 'ratings'. Be ready to discuss the ethical implications of airing the episode on mainstream broadcast television. Be prepared to discuss your reasoning and perspective.

Visual Pleasure and Narrative Cinema: Psychoanalytic Feminist Film Theory

"Woman as image, man as bearer of the look"

Otto Preminger's Laura (1944)

Laura Mulvey, "Visual Pleasure and Narrative Cinema"
You can also find it in html format here.

This is the article that failed to post relating to the readings assigned for Week 4:
Jean Kilbourne, “The More You Subtract, the More You Add: Cutting Girls Down to Size”

Construction and Performance II: Masculinities

Eminem, Lose Yourself

Jackson Katz, "Advertising and the Construction of Violent White Masculinity: From Eminem to Clinique for Men"
Brian Locke, "Here Come The Judge: The Dancing Itos and the Televisual Construction of the Enemy Asian Male"
Gail Dines, "King Kong and the White Woman: Hustler Magazine and the Demonization of Black Masculinity"

Harold & Kumar