Study Guides: COM 470 & CMS 360

COM 470 Advanced Com Theory -- here.
CMS  360 Race and Gender -- here.

From the Panel to the Frame and the Screen

From the Panel to the Frame: Style and Scott Pilgrim from Drew Morton on Vimeo.

An Art of Tensions: Narrating & Reporting

from Glyn Dillon's The Nao of Brown

Ann Miller, Narrative Theory and Bande Dessinée from Reading Bande Dessinée: Critical Approaches to French-Language Comic Strip (Intellect, 2008)

Hillary Chute, "'The Shadow of a Past Time': History and Graphic Representation in Maus"

Amy Kiste Nyberg, "Comics Journalism: Drawing on Words to Picture the Past in Safe Area Goradze" from Duncan& Smith (eds.), Critical Approaches To Comics: Theories and Methods

Pascal Lefèvre, "Incompatible Visual Ontologies?": The Problematic Adaptation of Drawn Images" from Gordon, Jancovich & McAllister (eds), Film and Comic Books

Queering Texts: Popular Culture and The Oppositional Gaze

Susan Sontag, "On Camp"

Richard Dyer, "In Defense of Disco"
Richard Dyer, "Judy Garland and Gay Men"

bell hooks, "The Oppositional Gaze"

Alexander Doty, "There's Something Queer Here"
Bruce LaBruce, "Pee Wee Herman: The Homosexual Subtext"

"I'm A Rebel"

"I Know You Are But What Am I?"

Fatal Strategies & Slackers: Withdrawing or Accelerating?

Matthias Leupold, Im Kino / In the Cinema, Part II Berlin GDR, 1983

The Foucault Reader, edited by Paul Rabinow.

Please read the section 'Disciplines and Sciences of the Individual' in Part II, particularly the first four segments (from "The Body of the Condemned" to "Panopticism")

Foucault, "The Repressive Hypothesis" from The History of Sexuality, Vol. I

Baudrillard, "The Masses: The Implosion of the Social in the Media"

Additional Recommended Baudrillard Readings:

Jean Baudrillard, Requiem for the Media
Jean Baudrillard, The Implosion of Meaning in the Media from Simulacra and Simulation


Faster! Faster! Faster!



#Accelerate: Manifesto for an Accelerationist Politics (Srnicek & Williams)
Steven Shaviro, "What is Accelerationism?" from No Speed Limit: Three Essays on Accelerationism

Bonus:
Xenofeminism: A Politics for Alienation (Laboria Cuboniks)

+

What About 'Today'?

Christian Fuchs, "Participatory Web 2.0 as Ideology" from Foundations of Critical Media and Information Studies

McKenzie Wark, The Hacker Manifesto

"Every single commodity you produce is a piece of your own death"
"Withdrawing in disgust is not the same thing as apathy."

"Enjoy Poverty: Disclosing the Political Impasse of Contemporary Art" in Art Papers

-an interview with Renzo Martens

Paul O'Kane, "Renzo Martens: Episode III" review in Third Text, 2009

T.J. Demos, "Poverty Pornography, Humanitarianism and Neo-Liberal Globalization: Notes on Some Paradoxes in Contemporary Art"

Bonus Interview from the "Africa is a Country Blog" here.

Bonus Reading:

Susan Sontag, "Looking At War/Regarding the Pain of Others"

An Art of Tensions: Readings

Here are some articles that you are warmly advised to integrate in your papers:

from Jason, Lost Cat

Groensteen, "The Impossible Definition"
Hatfield, "An Art of Tensions"
Beaty, "Autobiography as Authenticity"

Two sample analyses of comic art and auteurs:

Hignite, "Jamie Hernandez's LOCAS"
Kannenberg, "The Comics of Chris Ware"

à la Queneau...Excercises in Style:
Madden, Excerpts from "99 Ways To Tell A Story"

GLBT Representation in Film and Television

Kylo-Patrick R. Hart, "Representing Gay Men on American Television"
Diane Raymond, "Popular Culture and Queer Representation: A Critical Perspective"

Susan J. Hubert, "What's Wrong With This Picture: The Politics of Ellen's Coming Out Party"
Fred Fejes, "Advertising and the Political Economy of Lesbian/Gay Identity"

Alexander Doty, "Modern Family, Glee, and the Limits of Television Liberalism" 

Race and Gender Final Paper Assignment

Final Paper Prompt here. We will talk about this during next class. Good times.

How To Read Comics I + Final Paper Prompt

 "To say that Nancy is a simple gag strip about a simple-minded snot-nosed kid is to miss the point completely. Nancy only appears to be simple at a casual glance. Like architect Mies Van Der Rohe, the simplicity is a carefully designed function of a complex amalgam of formal rules laid out by the designer. To look at Bushmiller as an architect is entirely appropriate, for Nancy is, in a sense, a blue print for a comic strip. Walls, floors, rocks, trees, ice-cream cones, motion lines, midgets and principals are carefully positioned with no need for further embellishment. And they are laid out with one purpose in mind - to get the gag across. Minimalist? Formalist? Structuralist? Cartoonist!"

Nancy 're-mixes' by James Benning.

How To Read Nancy by Mark Newgarden and Paul Karasik.
Ernie Bushmiller, Selected Nancy Sunday Strips

Please keep up with the readings in the Duncan&Smith Power of Comics and start working your way through the rest of Understanding Comics. You should be reading Watchmen, Maus and Jimmy Corrigan.

FINAL PAPER PROMPT here.

The 'Post' Archipelago: A Brief Intro

Young Jacques Derrida's English Comp Essay
Note the teacher's comments. Do they still apply to Jacques' adult writing? Read 'Différance' below to find out.

Some introductory readings to the various 'posts' that we will be reading in the next weeks. Having just concluded our discussion of structuralism, here is some material to bring us towards the post-structuralist theoretical framework. Remember that a good exercise for us is to read the theories in their original form. As you read get a sense of the language, of the rhetorical processes, of the way the argument proceeds. I am including here, in addition to the Roland Barthes essay on "The Death of the Author" also a brief introduction to poststructuralism, postmodernism and postcolonial studies (the pdf has these entries in alphabetical order but please read them in the order above). I've also included Derrida's 'Différance' --this is a bonus reading but I would urge all of you to tackle it in order to get that sense of the language mentioned above so that we may talk about it in class. Enjoy.

"poststructuralism"; "postmodernism"; "postcolonial studies" entries
from A Dictionary of Cultural and Critical Theory; 2nd Ed. (Wiley-Blackwell)
Roland Barthes, "The Death of the Author" from Image/Music/Text

David Harvey, "Postmodernism" from The Condition of Postmodernity

Jacques Derrida, Différance

Searching for Culture, Creativity and Resistance in Comic Books II: Fans

Jeffrey A. Brown - Ethnography: Wearing One's Fandom
Brian Swafford - Critical Ethnography: The Comics Shop As Cultural Clubhouse
Joli Jenson - Fandom as Pathology
John Fiske - The Cultural Economy of Fandom
 
Henry Jenkins - "Super-Powered Fans": The Many Worlds of Sand Diego Comic-Con
you can also access a copy of the Boom: A Journal of California printed version on Slideshare here.

The Social Construction of Race, Part Deux

This is the bulk of readings for the 'discourses of race' section of the course as we wade through it this week and next. Please have these articles read in the order posted. Pay particular attention to Zook's article on the Fox Network as it invests that political economic perspective that is so well dramatized in Bamboozled as well as the Means-Coleman article on 'black sitcoms' which is a good example of textual analysis.

Kristal Brent Zook, "The Fox Network and the Revolution in Black Television"
Robin R. Means-Coleman, "Black Sitcom Portrayals"
Herman Gray, "The Politics of Representation in Network Television" from Watching Race: Television and the Struggle for Blackness (University of Minnesota Press, 1995/2004)

Donald Bogle, "Workplace Dramas, Ensemble Casts 1990s Style"
Chyng Fen Sun, "Ling Woo in Historical Context: The New Face of Asian American Stereotypes on Television"

The Social Construction of Race I

This is a short, introductory article on race and the media. As we watch Spike Lee's Bamboozled and discuss the film, Ash Corea's "Racism and the American Way of Media" is a good summary of the issues raised in the film and those that you will be reading about in greater detail with the next group of articles. As a bonus, a classic article by Stuart Hall.

Ash Corea, "Racism and the American Way of Media" from Questioning the Media
Stuart Hall, "What is This 'Black' in Black Popular Culture" from Stuart Hall: Critical Dialogues in Cultural Studies






Clip from the 1949 film Hollywood Varieties where actors Glenn Vernon and Edward Ryan apply blackface make-up while on stage and reminisce about 'the good ol' days' --as they say-- of ministrelsy.

Searching for Culture, Creativity and Resistance in Comic Books I: Art

Chris Ware, Panels from "Wingnutz"

Bart Beaty - "Searching for Artists in the Entertainment Empire" from Comics Versus Art

Teddy and Walt in The New Yorker

The Naysayers: Walter Benjamin, Theodor Adorno and the Critique of Pop Culture
by Alex Ross

Even the New Yorker catches up:

"One way or another, the Frankfurt School mode of criticism—its skeptical ardor, its relentless scouring of mundane surfaces—has spread far. When online recappers expend thousands of words debating the depiction of rape on “Game of Thrones,” or when writers publish histories of sneakers or of the office cubicle, they show intense awareness of mass culture’s ability to shape society. And in some cases the analysis takes a recognizably dialectical turn, as in Hua Hsu’s 2011 essay, for Grantland, on Kanye West and Jay-Z’s album “Watch the Throne.” A dispassionate hip-hop fan, Hua Hsu ponders the spectacle of two leading rappers making an “album against austerity,” in which they mark their ascension to a world of “MoMA and Rothko, Larry Gagosian, and luxury hotels across three continents,” and at the same time forfeit a hip-hop tradition of fantasy and protest. Citing the Kanye track “Power”—“Grab a camera, shoot a viral / Take the power in your own hands”—Hsu writes, “This version of power is entrancing—it explains an entire generation. But it also confuses ubiquity for importance, the familiarity of a celebrity’s face for true authority.” There is no telling how Adorno and Benjamin might have negotiated such contemporary labyrinths. Perhaps, on a peaceful day, they would have accepted the compromise devised by Fredric Jameson, who has written that the “cultural evolution of late capitalism” can be understood “dialectically, as catastrophe and progress all together.”

These implacable voices should stay active in our minds. Their dialectic of doubt prods us to pursue connections between what troubles us and what distracts us, to see the riven world behind the seamless screen. “There is no document of civilization which is not at the same time a document of barbarism”: Benjamin’s great formula, as forceful as a Klieg light, should be fixed as steadily on pop culture, the ritual apparatus of American capitalism, as it has been on the art works of the European bourgeoisie. Adorno asked for only so much. Above all, these figures present a model for thinking differently, and not in the glib sense touted by Steve Jobs. As the homogenization of culture proceeds apace, as the technology of surveillance hovers at the borders of our brains, such spaces are becoming rarer and more confined. I am haunted by a sentence from Virginia Woolf’s “The Waves”: “One cannot live outside the machine for more perhaps than half an hour.”"