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The files and other media linked to and made available on this site are strictly for educational purposes and their use is therefore justified by the doctrine of fair use under the U.S. Copyright Act of 1976, 17 U.S.C. § 107. If, however, you are the legitimate copyright holder of the material found here and have --for whatever reason-- reservations about the FAIR USE of your so-called property I will gladly remove it. Files remain on-line for a very limited time period. If you find a dead link on old archived posts you're out of luck. You could try emailing me at peter [at] kinoppete [dot] org if you're desperate.
Blog Archive
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2016
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February
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- Popular Music and Film Study Guides
- Comcast: We (Almost) Own Everything...No, Really, ...
- The In-Between Years (or The Empire Strikes Back)
- Beneath the cobblestones, the beach: Theory, Situa...
- Cinematic Specificity: Language or Reality
- R'n'R or Transubstantiated R'n'B?
- Hot and Cold Media Is the Message in the Global Vi...
- Whitey's Lindy Hoppers: Something Wild
- R'n'B is on the Indies
- Post-War Hillbillies: Western Swing, Honky Tonk an...
- Cinema/210 Reading Schedule
- Teddy and Walt in The New Yorker
- TV: The Idiot Box, the Electronic Babysitter, the ...
- The Sound Begins: Popular Music Readings II
- Pre-War Specialties
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February
(15)
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