This is the poster for the US release of L'onorevole Angelina. Note how the film is characterized as a 'lusty topical comedy-drama of life in present day Italy'. When two different understandings of the cinema inevitably meet in the market.As we move away from neo-realism proper: the Abercrombie, Lash & Longhurst article below can get us thinking about how 'realism' can be recast as something that opens itself up to further scrutiny rather than a closed proposition predicated on particular historical and social contexts. This article is important both for how it allows us to think and talk of a film like Luigi Zampa's L'onorevole Angelina (or Giuseppe De Santis' Riso amaro (Bitter Rice) as well as Roberto Rossellini's Viaggio in Italia (Voyage in Italy). Next screening will be Federico Fellini'sIl Bidone.
Abercrombie, Lash & Longhurst, "Popular Representation: Recasting Realism"







