Hit Me Baby One More Time...Literally?

A look at the history of music torture by Andy Worthington, author of The Guantánamo Files:

There's an ambiguous undercurrent to the catchy pop smash that introduced a pig-tailed Britney Spears to the world in 1999 -- so much so that Jive Records changed the song's title to "... Baby One More Time" after executives feared that it would be perceived as condoning domestic violence.

It's a safe bet, however, that neither Britney nor songwriter Max Martin ever anticipated that this undercurrent would be picked up on by U.S. military personnel, when they were ordered to keep prisoners awake by blasting ear-splittingly loud music at them -- for days, weeks or even months on end -- at prisons in Iraq, Afghanistan and Guantánamo Bay.

The message, as released Guantánamo prisoner Ruhal Ahmed explained in an interview earlier this year, was less significant than the relentless, inescapable noise. Describing how he experienced music torture "on many occasions," Ahmed said, "I can bear being beaten up, it's not a problem. Once you accept that you're going to go into the interrogation room and be beaten up, it's fine. You can prepare yourself mentally. But when you're being psychologically tortured, you can't." He added, however, that when music was introduced, at the end of 2003, "It makes you feel like you are going mad. You lose the plot and it's very scary to think that you might go crazy because of all the music, because of the loud noise, and because after a while you don't hear the lyrics at all, all you hear is heavy banging."

Read the rest at The Huffington Post here.

Also, take a look at the Zero db (against music torture) initiative launched by Reprieve, a UK based legal action charity. [If you have headphones on connected to your computer LOWER THE VOLUME before loading the Zero db site.]